1. Discussao
2. Blues On The Corner
3. In A Mist
4. I Talk To The Trees
5. Four
6. Tippin'
7. Setembro
8. 26-2
9. Toys
10. Love Dance
11. Grace
12. Salt Song
Personnel:
Michael Dease - slide & valve trombones, soprano sax* , tenor sax**
Cyrus Chestnut - piano, Rufus Reid - acoustic bass, Gene Jackson
-
drums
With Special Guests: Claudio Roditi flugelhorn, Roy
Hargrove trumpet & flugelhorn, Greg Gisbert trumpet, Sharel Cassity
alto saxophone & alto flute, Eric Alexander tenor saxophone, Jeremy
Miller trombone, Robert Edwards bass trombone, Mark Whitfield
acoustic & electric guitar, Yotam acoustic & electric guitar, Tarik
Zephrim acoustic & electric guitar, Roger Squitero & Circle Rhythm™
percussion
Produced by:
John Lee Executive Producer: Lisa Broderick
Price:
$10.00
FEATURES ALL-STAR SUPPORTING
CAST: CYRUS CHESTNUT, RUFUS REID, GENE JACKSON, CLAUDIO
RODITI, ROY HARGROVE, ERIC ALEXANDER AND MARK WHITFIELD AMONG
OTHERS
In just seven years on
the New York scene, trombonist Michael Dease
has appeared on over fifty albums as a sideman, performed in
every major jazz venue, and worked alongside many of the
giants of this music. And now his latest CD, Grace - Dease's
fourth as a leader and his first for Jazz Legacy Productions -
affords him a much deserved opportunity to display his musical
range and versatility as an instrumentalist, thanks to the
vision of bassist, producer, and the label's founder, John
Lee.
"I met John at the Village Vanguard in
September 2007," Dease recalls, "when I was playing with Slide
Hampton's World of Trombones, and since then we've been
working closely together. He asked me to join his band, Dizzy
Gillespie All-Stars. Then I was producing a recording for
saxophonist Sharel Cassity - I also participated as a sideman
on that record - and John was interested in having her as a
young artist for his new label Jazz Legacy Productions. When
we were gearing up for Sharel's CD release in 2009 he asked me
if I would be another one of the JLP's young artists. Of
course I was very excited to have John produce my album, with
his vast experience and insight."
In choosing the songs
for Grace, Lee coupled that insight with Dease's own musical
knowledge, selecting mostly lesser known, seldom played pieces
by some of the legends of jazz - "26-2" by John Coltrane, "Tippin'"
by Oscar Peterson, "Blues on the Corner" by McCoy Tyner,
"Toys" by Herbie Hancock. "John and I put our heads together,"
Dease continues, "and looked for tunes that would come alive
with the trombone as the lead voice. And we wanted to pick
material that hasn't been recorded too often. So we were
mining the minds of geniuses to find these great songs, then
realizing them with the trombone's natural melodic
capabilities."
And although Miles Davis' "Four" is one
of the trumpeter's best known tunes, Dease slows this normally
bright number down to a ballad tempo, allowing the listener to
fully savor one of the prettiest melodies in modern jazz. Then
he pulls out his tenor saxophone - his first instrument - for
a delightful half-chorus. "That was another suggestion of
John's," he explains, " and considering my early roots in
music as a saxophonist, I took the opportunity to get back
into the shed and see how it worked out."
Drawn from opposite
poles of jazz history are Bix Beiderbecke's classic "In a
Mist," in treatment that blends the impression of Beiderbecke
with the lyrical expressionism of Freddie Hubbard, and Randy
Brecker's contemporary "I Talk to the Trees." Arranged by
Dease and John Lee, Brecker's piece becomes a study in rich
textures and exotic voices, featuring a five-piece horn
section enhanced by another texture, the vibrant percussion
ensemble, Roger Squitero and Circle Rhythm, which also
performs on three other tunes.
While Grace's twelve
tracks comprise a wide array of formats and instrumentations,
each features the same stellar rhythm section. Pianist Cyrus
Chestnut, a fellow Jazz Legacy Productions young artist
(Spirit, JLP 0901002), Dease notes, "has already demonstrated
his versatility as a first-call sideman and a masterful
accompanist. He can swing you under the table, and on the more
adventurous songs he shows an incredibly fertile and tasteful
imagination." Dease met drummer Gene Jackson when they both
were playing with trumpeter Charles Tolliver's big band. "I
was immediately impressed with his power and subtlety on the
kit. He's learned so much from his wide array of experiences
playing with legends like Herbie Hancock and Wayne Shorter,
and I wanted that to be a facet of this project." And on bass
is the very accomplished Rufus Reid. "I've been in love with
Rufus' style since I first heard him with Stan Getz. I later
heard Rufus' perform in J.J. Johnson's last band, J.J. being
the gold standard for modern trombonists. Whenever I hear him
and how he stretches the music, it inspires me to go an extra
mile."
Grace also spotlights an impressive
roster of guest artists: trumpeter Roy Hargrove, tenor
saxophonist Eric Alexander, guitarist Mark Whitfield, Jazz
Legacy Productions artist Sharel Cassity (Relentless, JLP
0901001) on alto saxophone and alto flute, and, on four
numbers, including the swinging title track - Dease's own
composition - trumpet and flugelhorn master Claudio Roditi.
"Claudio invited to join his band two years ago. He's been
very supportive of me being a multi-instrumentalist, and he's
taught me very much about both the jazz and Brazilian
traditions." In fact, the music of Brazil is a recurring theme
throughout Grace, with Milton Nascimento's "Salt Song," on
which Dease also plays soprano saxophone, two compositions by
Ivan Lins ("Septembro" and "Love Dance"), and a lovely, lesser
known work by Antonio Carlos Jobim, "Discussao," a feature for
Dease on both the slide and valve trombones.
A Georgia native,
Michael Dease received his Bachelor's and Master's degrees
from New York's famed Juilliard School. His professional
credits include performances and recordings with James Moody,
Illinois Jacquet, Claudio Roditi, Roy Hargrove, Christian
McBride, The Dizzy Gillespie All-Star Big Band, Wynton
Marsalis and the Jazz at Lincoln Center Orchestra, Paul Simon,
Alicia Keys, Jamie Cullum, and many others. A dedicated jazz
educator, Dease is a lecturer at Northeastern University,
teaches privately in New York City and Boston, and is an
active clinician. He also is a creative producer who has
formed his own record label.
"I'm thrilled with the
production quality of this CD," Dease concludes, "and with my
band. John Lee and Jazz Legacy Productions made this special
project a reality. I couldn't be happier with the result."